| Patch Number | Patch Name | Patch Type | FX Category | Author | Description | Expression Pedal or External Switch Functionality |
Left Stomp Function | |||||
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2
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0 | Loop Forest | FX - Looper | Looper | Jeremy Blake | 4 separate loopers with various parameters being modulated by LFOs, including record, loop start, reverse, and loop length. Each looper has a pitch offset and is fed to a VCA on the final “control” page to mix. Read more on Patchstorage. | ||||||
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3
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1 | 1978 Plate v2 | FX - Reverb | Reverb | Christopher H. M. Jacques | 1978 was the hot year for reverb… in 2020. Both the CXM 1978 and the Vongon Ultrasheer looked to the past and Lexicon’s famous plate algorithm. 1978 Plate attempts to adapt this particular algorithm to ZOIAnese. V2 offers a number of refinements and features made available through the optimization of firmware 2.0. The result is a lush, modulated reverb, which includes some interesting opportunities for more adventurous reverb sounds. Read more on Patchstorage. |
Momentary - will max out the reverb decay | |||||
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4
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2 | Arpverb Unplugd | FX - Reverb | Pitch up, Reverb, Delay | dinre | This creates an arpeggio of pitched echoes that feed into a reverb. I’ve added a bandpass filter to trim out the high and low extra sounds that are produced by playing an acoustic guitar, because those sounds were awful coming through the pitch shifts. Read more on Patchstorage. | Momentary - ghostverb regen to 100% | |||||
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5
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3 | DirtyVerb | FX - Reverb | Filter, Reverb, Delay, Fuzz | Mike Moger | Slightly overdriven reverb with pitch detector-driven ring mod frequency and envelope follower (driven by vibrato) modulating delay mod. Read more on Patchstorage. | ||||||
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6
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4 | Abyss | FX - Reverb | Pitch shifted echoes | Willem Zenhorst | Haunting pseudo-reverb with descending or ascending spiraling pitch shifting, roaring momentary feedback-oscillation, and dynamic depth/feedback controls. Read more on Patchstorage. | Momentary - noisy, destructive self-oscillation | |||||
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7
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5 | Frosti | FX - Reverb | Freeze, Granular | Alexander Santarpia | Frosti is a granular sound sustainer/sampler. Read more on Patchstorage. | Momentary - activates the freeze effect | |||||
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8
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6 | Alterneath | FX - Reverb | Delay, Reverb, Modulated | Willem Zenhorst | A crystalline (pre-)delay smeared into a cavernous, ominously modulated, reverby wash. Inspired by the <redacted>. Read more on Patchstorage. | Latching - soft bypass (flexi) | |||||
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9
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7 | Honky | FX - Drive | Dist | Zak Aubin | Mid-heavy overdrive. Perfect for 80s rhythm tones | ||||||
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10
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8 | OD and Fuzz | FX - Drive | OD, Fuzz, Slapback | Zak Aubin | Rock n Roll overdrive with slapback and reverb. Footswitchable gnarly octave fuzz for lead lines | Latching - puts a fuzz after the OD | |||||
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11
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9 | PrimeviL | FX - Drive | Metal Distortion | Zachary Jackson | A doomy fuzz / distortion that will make your amp cry. Read more on Patchstorage. | Latching - enables an octave down with an extremely heavy, chuggy tone | |||||
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12
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10 | Slot Machine | FX - Drive | Alias, Fuzz | Evan Sirchuk | Two parallel fuzzes into an aliaser which changes alias amount using a slow LFO | Toe down increases rate of alias LFO | One Shot - temporary decaying boost in LFO rate, fuzz gain, and alias amount | ||||
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13
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11 | Fooled Again | FX - Drive | Flter sample hold, Drive | Dan Fisher | A modulated filter that is only heard with incoming audio. | Latching - toggles between fuzz and overdrive | |||||
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14
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12 | Impala | FX - Modulation |
Distortion, Phaser, Delay, Reverb
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Pablo Nemo | Inspired by Kevin Parker’s sound, it’s a bunch of psychedelic effect such as phaser, chorus and delay, with the option to engage a couple of dirt effects (fuzz and overdrive filtered through a cab sim). It’s the oposite of the Always On patch, completely in your face and over the top. Read more on Patchstorage. | Latching - toggle distortion | |||||
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15
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13 | NebUniVibe | FX - Modulation | Phaser / Vibrato | Dean Morris | ZOIA's new "univibe" module is ported directly from the Empress Nebulus | Latching - toggle between LFO and envelop mode | |||||
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16
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14 | Slap Mod | FX - Modulation | Modulation | Zak Aubin | Modulated slapback | ||||||
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17
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15 | Clown Shoes | FX - Modulation |
Vibrato, Pitch Bend, Reverb
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Dean Morris | Guitar Effect - vibrato and 1 octave up | Toe down brings in reverb | Momentary - shifts pitch shift up an octave and brings in reverb | ||||
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18
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16 | Stereo Flanger | FX - Modulation | Flanger | Gabriel Tanaka | A stereo flanger inspired by running 2 <redacted>s in parallel | Increases rate of flanger | Latching - toggles between positive and negative flanging | ||||
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19
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17 | V-Sync | FX - Modulation | Lofi, Room Reverb | Dean Morris | Warbly and grainy old VHS sounds get chewed with your pick attack. | Toe down brings up a ring mod frequency | Momentary - hold to bring up reverb decay | ||||
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20
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18 | Tape Worn | FX - Filter | Filter, Compressor | Zak Aubin | Worn out "Hi-Fi" sound--two compressors running in parallel. One has a subtle warble to it. | ||||||
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21
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19 | Fake Beard | FX - Filter | Filter, Lofi | Willem Zenhorst | A patch for making things sound old, rusty, and broken, with a unique AGE control to smoothly morph from clean to filtered, warbly, and distorted. Read more on Patchstorage. | ||||||
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22
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20 | Diamond Sea | FX - Filter | Filter, Delay w/mod | Dean Morris | An attempt to recreate the Ludwig Phase II used in Sonic Youth's "The Diamond Sea" | Toe down increases delay feedback and modulation | Tap Tempo - delay and filters | ||||
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23
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21 | Instawah | FX - Filter | Auto wah, Drive, Delay | Barbie Almalbis | Uses a simpler overdrive to make space for some Auto-Wah action Read more on Patchstorage. | ||||||
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24
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22 | Zeeker | FX - Filter | Filter | lutop | A Sequenced filter and tremolo. In the spirit of <redacted>. It has 8 steps that can be modified using faders. Each one with 4 different levels. Read more on Patchstorage. | Latching - in random mode, the faders have no effect, it just randomizes each step, similar to a sample-and-hold filter | |||||
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25
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23 | Snowfall | FX - Delay | Delay, Filter, Reverb | Ian Wazu | A tape-esque delay created with two looper modules, fed into a plate reverb. Since it is a recreation of <redacted> , features such as reverse palindromic and swell delay are engageable with just a button press! I have also thrown in a bit-crushing effect at the end of the chain because why not? ahahaha! Read more on Patchstorage. | Tap Tempo | |||||
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26
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24 | Octave Reverse | FX - Delay | Reverse Delay, Pitch Bend | Barbie Almalbis | Inspired by the Empress Superdelay Octave Reverse. Read more on Patchstorage. | Tap Tempo | |||||
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27
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25 | TimeChasers | FX - Delay | Looper, Delay, Reverb | Christopher H. M. Jacques | Useful for complex rhythmic delays, evolving ambient soundscapes, and arpeggiating quasi-shimmer reverbs, TimeChasers uses three looper-delays and a feedback loop derived from a delay line to allow you to sculpt a wide variety of unique time and pitch-based outcomes. Read more on Patchstorage. | Tap Tempo | |||||
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28
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26 | Floating Seeds | FX - Delay | Granular, Delay | Tristan Seume | Layer 1: a pair of delays panned slightly left and right, set low in the mix, for subtle texture. Layer 2: a pair of granular modules, one at pitch, the other an octave up. Grains are sampled then delayed by a couple of seconds by a delay line*, then play back, and are sent through a low-pass filter which is slowly modulated by an LFO, creating a gentle filter sweep between light and dark. Grains are then sent through a Ghostverb before hitting the outputs. Read more on Patchstorage. |
Latching - freezes both granular lines | |||||
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29
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27 | Golden | FX - Delay | Delay | Mike Moger | Stereo, series/parallel golden ratio delay. Has 17 Fibonacci numbers as delay lines, with some fed back to create snappy, reverberated repeats. Added cab sim to add dimensionality. Read more on Patchstorage. | Latching - switch between short and long delay lines | |||||
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30
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28 | Rev Mode Z | FX - Delay | Reverse Delay, Pitch Bend | Dean Morris | Superdelay's Reverse Mode C algorithm | Tap Tempo | |||||
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31
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29 | Bipedal Delay | FX - Delay | Delay, Pitch | Dean Morris | A stereo tap tempo delay with each repeat pitched up by a semitone. | Toe down brings up left delay to +5 and right delay to -1 semitones | Tap Tempo | ||||
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32
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30 | Kaiser Sqr 01 | FX - Delay | Delay | nzfs | An LFO is modulating the delay time to get the pitch shifts. Read more on Patchstorage. | ||||||
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33
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31 | Loophole | FX - Looper | Looper | Willem Zenhorst | A stereo, asynchronous Frippertronics-style looping delay with smearing and other modifiers. Read more on Patchstorage. | Latching - record input to looper; flexi-switching, red = recording | |||||
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34
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32 | Auto Arp | FX - Synth | Arpeggiated Synth, Filter | Ethan Simonoff | This patch uses two oscillators to create the effect. One acts as a sub oscillator guitar synth and acts as the root note to build a chord. The second oscillator is sequenced/arpeggiated some based on intervals from the root note and constrained by a selectable/definable scale (i.e. Major, Phrygian, Locrian, etc.) through quantized CV. Both oscillators pass through a enveloped filter that is triggered by pitch shifting. The arp oscillator passes through a filtered delay and three signals (sub, arp, arp delay) are mixed back together before passing to a reverb and vibrato. Read more on Patchstorage. | Latching - activates portamento | |||||
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35
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33 | Miicro Synth | FX - Synth | Filter, Synth | Barbie Almalbis | Here’s a patch inspired by the <redacted>. Fuzz and Mixer (Clean, Fuzz, and Sub) controls are on the first page. Read more on Patchstorage. | Mode Select - 1: upward sweep 2: down 3: wub | |||||
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36
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34 | Saxobone | FX - Synth | Synth | Ryan Holmberg | Sounds like a saxophone/trombone hybrid. Read more on Patchstorage. | ||||||
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37
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35 | Duck Friends | Generative FX | Lofi, Vibrato | Nihal Anand | Self-playing synth loop and lofi vibrato guitar effect. | Speeds up synth sequence and vibrato | Latching - toggles synth layers in and out. | ||||
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38
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36 | Promethium | Generative FX | Lofi, Reverb | Willem Zenhorst | Generative ambient patch with granular chords of overlapping ‘grains’ of sine waves, inspired by <redacted>. Read more on Patchstorage. | dries up reverb mix, slows down LFOs | dries up reverb mix, slows down LFOs | ||||
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39
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37 | Lifes Bn Good | Generative FX | Overdrive, Reverb | Dan Fisher | An homage to Joe Walsh's "Life's Been Good" using a sequenced synth and overdriven guitar. Here comes a flock of wah wahs! | Latching - toggles off sequence, starts playback from beginning | |||||
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40
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38 | Bad Brew | Generative FX | Reverb | Willem Zenhorst | A strange concoction of rapid-fire ambient arpeggios on a blanket of bubbling sounds, and a… jazz drummer trying to keep the beat? Read more on Patchstorage. | ||||||
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41
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39 | Duskwalker | Generative FX | Reverb | Willem Zenhorst | Sparse melodic outbursts of glassy plucks, driven by a shift register sequencer with some twists. Read more on Patchstorage. | ||||||
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42
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40 | Marco Polo | Generative FX | Reverb | Willem Zenhorst | Two jittery, unstable sequencers in one patch: Marco is a “random walk” generator, Polo tries to catch up with it. Read more on Patchstorage. | ||||||
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43
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41 | Dark Side | Generative FX | Reverb | Dan Fisher | A familiar sequencer pattern with a nice title page. Reverb on guitar. | Toe down decreases speed of sequence | Momentary - brings in a low drone | ||||
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44
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42 | Plusses | Button Synth | Christopher H. M. Jacques | A simple FM synth that makes neat little plucky arpeggios or chord organ-y stuff, using a quadrature LFO as a “sequencer.” Controlled entirely on the grid. It also sends MIDI notes, if you want to control something else. Read more on Patchstorage. | Tap Tempo | ||||||
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45
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43 | eKalimba Looper | Button Synth | Christopher H. M. Jacques | There are eight notes arranged across the columns of the grid, which can play up to four notes at a time. To add more range, you can also transpose the “tines” up or down one octave from a button on the control page. Read more on Patchstorage. | Latching - arm record/end record | ||||||
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46
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44 | Autocell | Button Synth | Willem Zenhorst | A 2-dimensional cellular automaton that generates little melodies and pitch CV. Read more on Patchstorage. | |||||||
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47
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45 | With The Fish | Button Synth + FX | Reverb | Nihal Anand | Underwater sequence with playable keyboard module | Toe down increases rate of synth pattern | Latching - toggles background sequence on/off | ||||
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48
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46 | Groovebox | Sampler | Taylor Hunt | (micro SD with samples required) A sample drum groove. Read more on Patchstorage. | |||||||
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49
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47 | Grand Piano | Sampler | Barbie Almalbis | (micro SD with samples required) A simple Grand Piano patch using a single C3 note sample. It has a six-voice polyphony, and is set up for a MIDI keyboard. Read more on Patchstorage. | |||||||
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50
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48 | Chipman | Generative MIDI | Cuckoo | Groovy sequence with MIDI synth playable on channel 1. Clean audio through. | Self playing sequenced synth | ||||||
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51
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49 | VoiVoi | MIDI Synth | Cuckoo | A breathy vocal formant monosynth | |||||||
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52
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50 | Ana String | MIDI Synth | JT Norton | Somber 4 voice poly synth | |||||||
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53
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51 | 6 Mouths | MIDI Synth | Mike Moger | 6-voice synthesizer with two octave range, dual ADSR, mixer, and optional 7th sequencer voice. MIDI in is set to greedy (one note affects all 6) and each key will trigger PWM of the oscillators it is paired to. Read more on Patchstorage. | |||||||
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54
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52 | Alf Pogs | MIDI Synth | Dean Morris | A reverby mono synth with glitchy aftertouch | Toe down transposes oscillators upwards 1 and 2 octaves | Latching -m axes out reverb decay and mix | |||||
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55
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53 | Strange Chords | MIDI Synth | JT Norton | A polyphonic synth that gets weirder the more notes you play. | Toe down increases resonance of filter | Momentary - slowly increases filter modulation | |||||
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56
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54 | Airport Wind | MIDI Synth | JT Norton | A mellow 4 voice synth pad | |||||||
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57
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55 | Broken Bell | MIDI Synth | Benn Jordan | A synthesized bell sound | Toe down increases reverb decay time | Latching - hold for a longer bell sound | |||||
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58
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56 | JoeBot | Generative Synth | Joe Pailo | Some boops and some beeps played by a sequencer. | |||||||
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59
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57 | Acidwolf Pedal | Generative Synth | Benn Jordan | Sequenced groove to lay down some cardboard and spin on your head to | Toe down increases pulse width and Q of 303 filter | One Shot - retriggers sequence | |||||
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60
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58 | Frigid Waters | Generative Synth | liamodellbass | Cold, sparkly musings of a mountain lake! Each voice with three operators (one carrier, two modulators in parallel). These created some real nice crystalline bell tones. Read more on Patchstorage. | Latching - stops and retriggers sequence | ||||||
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61
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59 | Noumenon | Generative Synth | Christopher H. M. Jacques | Noumenon is a drone synth. It’s kind of inspired by the drones I’m getting out of the <redacted> when its oscillators are held open: dense, distorted, lots of feedback and FM and distortion. Read more on Patchstorage. | |||||||
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62
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60 | Blank Sandbox | ||||||||||
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63
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61 | Blank Sandbox | ||||||||||
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64
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62 | Blank Sandbox | ||||||||||
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65
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63 | Blank Sandbox |
