Module Index - Empress Effects ZOIA/Euroburo (firmware 2.20)


1		Category	Module Name	Max # of Blocks		Block #	Title of block	Value modified by knob	Description of button	Might typically connect to	Module Options	Description	Avg DSP

2
3		INTERFACE MODULES:	Interface modules will connect to and from your other music gear in the physical world. Synth modules, MIDI devices, audio sources, your DAW, footswitches, expression pedals, etc are all connected into ZOIA's button grid here.								(besides colour)
4		INTERFACE MODULES INTERFACE MODULES INTERFACE MODULES INTERFACE MODULES INTERFACE MODULES	Audio Input	2		1	pedal input L	no modifier	connects audio from left pedal input jack	outputs, audio effect inputs, envelope follower, pitch detector, VCAs, sidechain inputs,	channels	select presence of left input, right input, or both	0.4%
5			Connect audio from the outside world into the grid. This could be a guitar, bass, synth module, computer audio, etc.			2	pedal input R	no modifier	connects audio from right pedal input jack	outputs, audio effect inputs, envelope follower, pitch detector, VCAs, sidechain inputs,	input pad	On the Euroburo, the input pad is set here (0, -6, -12dB)
6
7			Audio Output	3		1	pedal output L	no modifier	connects audio to left pedal output jack	inputs, audio effect outputs, VCAs, oscillators,	gain control	adds output gain control	1.7%
8			Connect audio from your ZOIA into the outside world. Connect to your amplifier, a DI box, your audio interface, etc. An optional gain control lets you tweak the output level.			2	pedal output R	no modifier	connects audio to right pedal output jack	inputs, audio effect outputs, VCAs, oscillators,	channels	select presence of left output, right output, or both
9						3*	gain	output gain	selects output gain of pedal from +20dB to -100dB	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, ADSRs, VCAs, stomp switches/pushbuttons, expression pedal
10
11			Midi Notes In	32		1	note out	no modifier	detects played note as value from -1 to 1, where -1 is C-2, 0 is A0, and 1 is A10	oscillators, MIDI inputs/outputs, CV inputs/outputs,	midi channel	determines which MIDI channel the module will read from	0.3%
12			Connect your MIDI keyboard controller to the ZOIA. Connect the note out to an oscillator to have it play your note, and connect the gate out to an ADSR (connected to a VCA) for a natural envelope.			2	gate out	no modifier	detects played note on/off status	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, ADSRs, VCAs	# of outputs	adds additional note and gate out outputs, and velocity and trigger outputs if selected, for connecting simultaneously played midi notes. Select 1 note to build a monophonic synth, or add up to 8 notes per MIDI channel.
13						3*	velocity out	no modifier	detects velocity of played note	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, ADSRs, VCAs	priority	toggles behaviour of simultaneously played MIDI notes, when number of played notes exceeds number of MIDI note outputs present. Prioritize the newest, oldest, highest, lowest played note, or "round robin" input.
14						4*	trigger out	no modifier	detects presence of played note as a single momentary pulse	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, ADSRs, VCAs	greedy	outputs are greedy for midi note inputs (all outputs will want to play)
15											velocity output	toggles presence of velocity out block
16											low note	determines lowest played note to receive
17											high note	determines highest played note to receive
18											trigger pulse	toggles presence of trigger out block
19
20			Midi Pitch Bend	1		1	pitch bend	no modifier	delivers incoming pitch bend data as a cv output that you can connect to other things	oscilllators, audio effects parameters, LFOs, VCAs, output gain, sequencers,	channel	select MIDI channel to look for pitch bend signal on	0.1%
21			Collects MIDI data from pitch bend wheel on keyboards, can be applied to oscillator frequency in parallel with MIDI note data, or used in other ways.
22
23			Midi CC in	1		1	cc value	no modifier	detects control change value from 0 - 127	audio effects parameters, LFOs, VCAs, output gain,	midi channel	determines which MIDI channel the module will read from	0.1%
24			Connect encoder knobs and sliders on a MIDI interface. Take note of the outgoing CC number of each control and enter it into the controller option.								controller	determines which controller # the module will read from
25											output range	determines range of CV output from from 0 thru 1 or -1 thru 1
26
27			Midi Pressure	1		1	channel pressure	no modifier	detects pressure of key after note is played. Pressure is additive when multiple keys have pressure applied	oscillators, audio effects parameters, LFOs, VCAs, output gain, sequencers,	midi channel	determines which MIDI channel the module will read from	0.03%
28			Many MIDI keyboards have an aftertouch feature that can be triggered by pressing down on a note after it's fully depressed. You can use after touch to trigger a little extra pizazz in your sound.
29
30			Midi Clock In	4		1	quarter out	no modifier	outputs a square wave LFO whose period is the detected BPM	tap tempo inputs, sequencers, VCAs, ADSRs, oscillators, MIDI inputs/outputs, CV inputs/outputs,	clock out	toggles the presence of clock out button	0.1%
31			Connect incoming MIDI clock to sync your patches to the outside world. Connects directly to ZOIA's MIDI input.			2*	clock out	no modifier	outputs a log sawtooth wave LFO whose period is the amount of time between clock signals	tap tempo inputs, sequencers, VCAs, ADSRs, oscillators, MIDI inputs/outputs, CV inputs/outputs,	reset out	toggles the presence of reset out button
32						3*	reset out	no modifier	sends a pulse of cv when "song position ptr" message is detected with a value of 0	cv switches, sequencers, VCAs, ADSRs, oscillators, MIDI inputs/outputs, CV inputs/outputs,	run out	toggles the presence of run out button
33						4*	running output	no modifier	if incoming clock signal is detected, output will be 1. if not, output is 0. you can use this in conjuction with a cv switch to allow MIDI clock to override other tap sources, but only when detected.	cv switches, sequencers, VCAs, ADSRs, oscillators, MIDI inputs/outputs, CV inputs/outputs,	beat modifier	multiplies output at "quarter out" by selected value. choose from 1, 2, 3, 4, 6, 12, 1/2, 1/3, 1/4, 1/6 or 1/12
34
35			Midi CC out	1		1	cc out	cc out value	sends control change value from 0 - 127	oscillator frequency, midi pressure,	midi channel	determines which MIDI channel the module will send to	0.2%
36			Send Control Change messages to external MIDI enabled gear through ZOIA's MIDI outputs.								controller	determines which controller # the module will send control change message to
37
38			Midi PC out	2		1	pc out	pc out value	sends program change value from 0-127	sends program change messages to external devices?	midi channel	determines which MIDI channel the module will send to	0.1%
39			Send Program Change messages to external MIDI enabled gear. Select the Program Change value and send a CV signal to trigger in to send message through ZOIA's MIDI outputs.			2	trigger in	minimum trigger state from 0-1	triggers	footswitches/pushbuttons, MIDI inputs/outputs, CV inputs/outputs, expression pedal, LFOs, sequencers
40
41			Midi Note Out	3		1	note in	minimum note from 0-1	sends played note value through selected MIDI channel	keyboard module, LFOs, MIDI inputs/outputs,, CV inputs/outputs, expression pedal,	midi channel	determines which MIDI channel the module will send to	0.1%
42			Send MIDI notes out to external MIDI enabled gear through ZOIA's MIDI outputs.			2	gate in	minimum gate in 0-1	sends played note on/off status through selected MIDI channel	keyboard module, LFOs, MIDI inputs/outputs,, CV inputs/outputs, expression pedal,	velocity output	toggles the presence of a velocity data block for played note
43						3*	velocity out	minimum note velocity out from 0-1	sends played note velocity data through selected MIDI channel	LFOs, envelopes, expression pedals, footswitches, MIDI inputs,
44
45			Midi Clock Out	5		1	cv/tap control	cv: frequency of clock in Hz, s, or bpm. tap: none	determines frequency of MIDI clock either by adjusting knob, or connecting a tap, LFO, or other cv source	LFOS, sequencers, CV inputs/outputs, pushbuttons/stompswitches	input	select if you'd like your MIDI clock rate determined by the knob/other cv source, or by an LFO or tap source	0.4%
46			Generate MIDI clock to sync outside devices to your ZOIA. Clock sends directly to ZOIA's MIDI output.			2*	sent	cv	an upward change in cv sends "continue" message, a downward change in cv sends a "stop" message. MIDI clock continues to run.	LFOS, sequencers, CV inputs/outputs, pushbuttons/stompswitches	run in	toggles presence of "sent" control
47						3*	reset	cv	un upward change in cv sends "stop", "song position prt 00 00", and "start" messages on 3 consecutive clock pulses. a downward change in cv arms this button for the next reset	LFOS, sequencers, CV inputs/outputs, pushbuttons/stompswitches	reset in	toggles presence of "reset" control
48						4*	send position	cv	un upward change in cv sends "stop" and "song position prt" messages on consecutive clock pulses, sending the position determined by song position button. a downward change in cv arms this button for the next reset	LFOS, sequencers, CV inputs/outputs, pushbuttons/stompswitches	position	toggles presence of send position and song position controls
49						5*	song position	cv	displays desired song position to trigger as follows - measure : quarter note: sixteenth note	LFOS, sequencers, CV inputs/outputs, pushbuttons/stompswitches
50
51			Stompswitch	1		1	cv output	no modifier	toggles state of stompswitch as determined by edit options	tap tempos, MIDI inputs/outputs, oscillator frequency, audio effects, gain stages, sequencer,	stompswitch	select which footswitch to interface. Choose any of the 3 on the ZOIA or an external footswitch (be sure to enter in the Config Menu)	0.1%
52			Use this module to connect a stomp switch to other modules. This can be any of ZOIA's 3 stomp switches or an external one. If using an external, remember to set it up in the Config Menu. Once placed, the Scroll and Bypass stomp switches must be "switched to" by holding them both on together for 2 seconds, this will allow them to function in the modules instead of as ZOIA's main user interface. Hold again for 2 seconds to switch back.								action	select the desired behaviour of the switch. If you'd like it to stay engaged, choose latching. If you'd like it to only be engaged while pressed, choose momentary
53											normally	select the desired default switch state. Zero: "Off", One: "On"
54
55			Pixel	1		1	cv in/audio in	cv bias point	control the brightness of the led by sending either cv or audio in, depending on how it is configured in the Options menu	cv outputs, audio outputs	control	select either cv or audio	0.01%
56			Puts a coloured block on the grid. The brightness can be controlled by a cv signal or an audio signal. Pixel is a simple, elegant way to create a more visually interactive user interface for your patch.
57
58			UI Button	2		1	in	CV input	displays colour/brightness selected by user or by CV input. use this button with optional CV output to send CV by pushing it.	your finger, LFOs, sequencers, CV inputs/outputs, envelopes, expression pedals, footswitches,			0.04%
59			UI Button can function in a couple different ways. It can show you a specific colour at a specific brightness based on the setting of or CV sent to the input. It can also act as a pushbutton with output enabled. To use as a visualizing pixel, connect CV and send the following values: EXTENDED RANGE: Red: 0 - 0.049 (max bright 0.0375), Orange: 0.05 - 0.099 (max bright 0.0875), Mango: 0.10 - 0.149 (max bright 0.1375), Yellow: 0.15 - 0.199 (max bright 0.1875), Lime: 0.20 - 0.249 (max bright 0.2375), Green: 0.25 - 0.299 (max bright 0.2875), Surf: 0.30 - 0.349 (max bright 0.3375), Aqua: 0.35 - 0.399 (max bright 0.3875), Sky: 0.40 - 0.449 (max bright 0.4375), Blue: 0.45 - 0.499 (max bright 0.4875), Purple: 0.50 - 0.549 (max bright 0.5375), Magenta: 0.55 - 0.599 (max bright 0.5875), Pink: 0.60 - 0.649 (max bright 0.6375), Peach: 0.65 - 0.699 (max bright 0.6875) , White: 0.70 - 0.749 (max bright 0.7375). BASIC RANGE: Blue = 0 to 0.099 (0.74 max brightness), Green = 0.1 to 0.199 (0.174 max brightness), Red = 0.2 to 0.299 (0.274 max brightness), Yellow = 0.3 to 0.399 (0.374 max brightness), Cyan = 0.4 to 0.499 (0.474 max brightness), Magenta = 0.5 to 0.599 (0.574 max brightness), White = 0.6 to 0.699 (0.6 to 0.674 brightness).			2*	CV output	no modifier	outputs CV of 1 when in button is pushed	tap tempos, MIDI inputs/outputs, oscillator frequency, audio effects, gain stages, sequencers,
60
61			Pushbutton	1		1	switch	no modifier	push button to engage switch	your finger, tap tempos, MIDI inputs/outputs, oscillator frequency, audio effects, gain stages, sequencer,	action	select the desired behaviour of the switch. If you'd like it to stay engaged, choose latching. If you'd like it to only be engaged while pressed, choose momentary	0.02%
62			Turns a grid button into a button you can push to send a CV signal. Tap in a tempo, open up a VCA, trigger a sequencer, or anything else. The grid is your oyster!								normally	select the desired default switch state between zero and one. remember that your connection strength can help you achieve values in between.
63
64			Device Control	1		1	value	CV slider from 0 to 1	activates selected action when it sees a value of 1, deactivates action upon seeing a 0	LFOs, footswitches/pushbuttons, MIDI inputs/outputs, CV inputs/outputs, other sequencers	control	select between controlling the following actions: audio bypass, performance mode, or stomp aux
65			Control the bypass state, performance mode, or stomp aux mode using CV. A rising or falling CV value will toggle the selected control.
66
67			Keyboard	26		1	note (#)	selects desired note to play when button pushed. Click knob to toggle between frequency in Hz and music note	plays note when pushed, like a keyboard	your finger!	# of notes	select how many notes you'd like your new keyboard to be. New buttons are added for each new note, all of which com out of the note out and gate out buttons.	0.1%
68		Turns grid buttons into a keyboard you can connect to an oscillator and play. No external MIDI controller necessary! Tune each keyboard button using the knob to have it play your desired note.			2	note out	no modifier	CV output of note or frequency played	oscillator frequency, MIDI note out, audio effects,
69					3	gate out	no modifier	CV output of played note on/off status	ADSR, clock divider, MIDI note gate out, tap tempo inputs, audio effects
70					4	trigger out	no modifier	Sends a single momentary pulse	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, ADSRs, VCAs
71
72		Cport Exp/CV in	1		1	no modifier	cv output	expresses value of either expression pedal or control voltage sensed by Control Port as a numerical value.	audio effects, oscillator frequency, VCAs, LFOs, MIDI inputs/outputs, CV inputs/outputs	output range	determines range of CV output from from 0 to 1 or -1 to 1	0.1%
73		Connect your expression pedal or a control voltage signal from an external source. Remember to set CPort to either exp or cv in the Config Menu.
74
75		Cport CV out	1		1	no modifier	cv input	interprets value from a module and sends it out the Control Port on the ring of the connector as a control voltage signal from 0-5 volts	CV inputs/outputs, MIDI inputs/outputs, LFOs, sequencers, ADSRs,	input range	select if you'd like your input to be interpreted as a value from 0 to 1 or as a value from -1 to 1. This will then be sent as a control voltage from 0-5 volts	0.2%
76		This module interprets internal CV and sends it down the ring of a 1/4" TRS connector in the control port as a standard CV signal of 0-5 volts. Remember to set CPort to cv in the Config Menu.
77
78
79		Euroburo CV I/O:	These modules are used to connect control voltages between the grid and the outside world.
80		EUROBURO CV I/O	CV In	1		1	CV In	connect to any module block that accepts control signals	connect external CV signals plugged into a CV IN jack on the euroburo to the control signal input block of modules on the grid	clocks, triggers, gates, VCAs, pitch, quantizers, ADSRs, sequencers, sample & hold, filter cutoff	out range	sets what range of voltages you want to control other modules. 0-10V is typical for euro pitch control, 0-5V is very common for other CV.	0.1%
81			Connect CV from the outside world to the grid.								inpt range	chooses if the range of what you're sending in goes from 0-1 or from -1 to 1.
82											clk filter	acts as a schmitt trigger to output a clean clock signal (which Zoia requires) from the cv input. The numbers represent the low and high threshold values. ie 2,8 would cause the module to output 0 when the input goes below 0.2 of the input voltage range, and output a high signal when the signal goes above 0.8 of the input voltage range. This helps to avoid modules in Zoia from mis-triggering.
83											transpose 0V	the euroburo maps 0V at it's input to an A note by default. Other synths use C as 0V. Selecting the C option will transpose (add 0.25) to the output of this module so it maps to C on the euroburo oscillator.
84
85			CV Out	1		1	CV Out	connect to any module block that outputs control signals	connect control signal output block of modules on the grid to a CV OUT jack to be patched to external gear that uses CV	clocks, triggers, gates, VCAs, pitch, oscillators, ADSRs, sequencers, sample & hold, filter cutoff	out range	sets what range of voltages you want to control other modules. 0-10V is typical for euro pitch control, 0-5V is very common for other CV.	0.2%
86			Connect CV from the grid to the outside world.								in range	chooses if the range of what you're sending in goes from 0-1 or from -1 to 1.
87			Connect CV from the grid to the outside world.								transpose 0V	the euroburo maps 0V (and other whole note values) to an A note by default. Some other synths/modules use C as 0V. Selecting the C option will transpose up three semitones (subtract 0.25V) from the output of this module so C in the euroburo plays a C on external synths.
88
89		AUDIO MODULES:	These modules generate or augment audio signals. These are the audio tools generally associated with synthesis but are generally applicable to guitar/bass as well.								(besides colour)
90		AUDIO MODULES AUDIO MODULES AUDIO MODULES AUDIO MODULES AUDIO MODULES AUDIO MODULES AUDIO MODULES AUDIO MODULES AUDIO MODULES AUDIO MODULES	Oscillator	4		1	frequency	frequency in Hz	determines frequency of synthesized tone. The higher the frequency, the higher the note. Click the knob to toggle between frequency in Hz and music notes. Values -1 thru 0 represent sub-bass frequencies from 0.027 Hz to 27.49 Hz . Values from 0 thru 1 represent (mostly) audible frequencies from 27.5 Hz to 23999 Hz	MIDI inputs, CV inputs, keyboard module output, pitch detector, stompswitches/push buttons, expression pedal,	waveform	select pattern of generated waveform from square, triangle, sawtooth, or sine wave	10%
91			Generates an audio signal in the waveform of your choice. Connect a MIDI device, keyboard module, sequencer, pitch detector, LFO, or any CV source to select the frequency or note the oscillator will play. You can modulate the frequency or pulse width with the optional parameters. Negative CV inputs (from -1 to 0) will generate sub-bass frequencies between 0.027Hz and 27.49Hz. Be careful!			2*	FM input	no modifier	allows you to connect another oscillator or audio source to modulate the oscillator's frequency.	oscillator outputs, audio inputs	fm in	toggles presence of FM input parameter. this allows you to modulate an incoming audio signal against the oscillator, which acts as a carrier wave.
92						3*	duty cycle	value in %	adjusts the pulse width of the oscillator	LFOs, CV inputs, MIDI inputs, expression pedal, ADSRs, envelope followers, pushbuttons/footswitches,	duty cycle	toggle presence of duty cycle parameter. this creates a distorted effect by varying the pulse width
93						4	audio out	no modifier	output of audio signal generated by oscillator	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules,	upsampling	allows waveform to be generated at 2X sampling rate for better quality (higher CPU)
94
95			VCA	5		1	audio in 1	no modifier	connects output of another audio source to gain stage	oscillators, audio inputs/outputs, audio effects,	channels	select if you'd like your voltage controlled amplifier to apply gain to 1 channel or 2 channels	0.7%
96			The Voltage Controlled Amplifier module will interpret incoming CV at the level control and boost or cut the volume. Connect an ADSR to create a natural sounding envelope for an oscillator passing through. Connect an LFO to create a tremolo effect. Or connect an expression pedal module or MIDI input for an external volume control.			2*	audio in 2	no modifier	connects output of another audio source to gain stage	oscillators, audio inputs/outputs, audio effects,
97						3	level control	gain in dB	controls the gain of the output signal	ADSRs, envelope follower, LFOs, MIDI inputs, CV inputs, sequencers,
98						4	audio out 1	no modifier	connects amplified signal from audio in 1 to an audio destination	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules,
99						5*	audio out 2	no modifier	connects amplified signal from audio in 2 to an audio destination	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules,
100
101			SV Filter	6		1	audio in	no modifier	connects audio source into state variable filter	audio inputs/outputs, VCAs, oscillators,	low pass output	toggles presence of low pass output. This is on by default	3%
102			The State Variable Filter will resonate and cutoff around a set frequency.			2	frequency	frequency in Hz	determines cutoff frequency of filter. CV inputs from -1 to 0 cover the frequency range 0.03-27.5 Hz, CV inputs from 0 to 1 cover the frequency range 27.5-23999Hz	LFOs, sequencer, CV outputs, MIDI outputs, gates/triggers, expression pedal, pushbutton/footswitch,	hipass output	toggles presence of hipass output
103						3	resonance	resonance value	determines strength of resonant peak at cutoff frequency	LFOs, sequencer, CV outputs, MIDI outputs, gates/triggers, expression pedal, pushbutton/footswitch,	bandpass output	toggles presence of bandpass output
104						4	lowpass output	no modifier	outputs audio filtered below cutoff frequency	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
105						5*	hipass output	no modifier	outputs audio filtered above cutoff frequency	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
106						6*	bandpass output	no modifier	outputs band of audio within upper and lower limits of frequency cutoff	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
107
108			Multi-Filter	5		1	audio in	no modifier	connects audio source into filter	audio inputs/outputs, VCAs, oscillators,	filter shape	select output characteristic of filter between high pass, low pass, , band pass, bell, hi shelf, and low shelf	0.8%
109			A general purpose filter with gain, frequency, and Q controls. Configurable as a high pass, low pass, band pass, bell, hi shelf, or low shelf.			2*	gain	gain in dB	determines gain of filter notch for hi shelf, low shelf, and bell filters	LFOs, sequencer, CV outputs, MIDI outputs, gates/triggers, expression pedal, pushbutton/footswitch,
110						3	frequency	frequency in Hz	determines center frequency of filter notch	LFOs, sequencer, CV outputs, MIDI outputs, gates/triggers, expression pedal, pushbutton/footswitch,
111						4	q	width from 1-100	determines width of filter notch	LFOs, sequencer, CV outputs, MIDI outputs, gates/triggers, expression pedal, pushbutton/footswitch,
112						5	audio out	no modifier	outputs filtered audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
113
114			Delay Line	4		1	audio in	no modifier	connects audio into delay line	audio inputs/outputs, VCAs, audio effects, oscillators,	max time	select maximum delay time from 100ms to 16s	3%
115			The Delay Line is a simple module that takes audio at the input and delays it by a set amount of time. There is no dry signal, there are no repeats. You can create repeats by connecting the output back to the input, using the connection strength to adjust number of repeats.			2	delay time	time in ms	delays audio playback by set time	expression pedals, CV outputs, MIDI outputs, LFOs, sequencers,	tap tempo in	enable tap tempo mode of delay line module
116						3	audio out	no modifier	outputs delayed audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules, (connect back to delay line input at lower strength for natural repeats)	interpolation	when set to on, this emulates the blips and sweeps caused by playing back sampled audio at different rates when changing delay times
117						above: tap tempo off. below: tap tempo on					CV Input	when tap tempo in is set to "no", this sets the relationship of incoming CV to delay time, exponential or linear
118						1	audio in	no modifier	connects audio into delay line	audio inputs/outputs, VCAs, audio effects, oscillators,
119						2	modulation in	time in ms	connect CV modifier to adjust delay time in real time, complete with pitch shifting	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
120						3	tap tempo in	time in ms	Connect CV for tap input. Try a clock divider connected to a stompswitch module to give your tapped tempo a ratio.	footswitch/pushbuttons, LFOs, sequencers, CV inputs, MIDI inputs,
121						4	audio out	no modifier	outputs delayed audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules, (connect back to delay line input at lower strength for natural repeats)
122
123			Audio Panner	5		1	audio in 1	no modifier	connects audio from source into panner	audio inputs/outputs, VCAs, audio effects, oscillators,	channels	select if you'd like to have one audio source panning between two outputs, or two audio sources panning between two outputs	1%
124			Audio Panner takes either one or two input channels and pans them between two outputs. Connect an LFO for a stereo tremolo effect.			2*	audio in 2	no modifier	connects audio from source into panner	audio inputs/outputs, VCAs, audio effects, oscillators	pan type	select the behaviour of the pan type between equal power, linear, and -4.5dB. Linear is the most basic, and will output a source at unity gain when it is hard panned, making the center position somewhat quieter than the source. Equal power uses a logarithmic taper to output unity gain across the sweep, resulting in a 3dB increase in the center position from Linear. -4.5dB is a mathematical compromise between the two.
125						3	pan	pan value from 0-100	sends audio from one or two input tracks to output tracks depending on pan value. A value of 0 will pan hard to track 1 and a value of 100 will pan hard to track 2. A value of 50 is equal volume on both outputs	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
126						4	audio out 1	no modifier	outputs audio panned from track 1	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
127						5	audio out 2	no modifier	outputs audio panned from track 1 when 1 track mode selected, or audio panned from track 2 when stereo mode selected	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
128
129			Pitch Shifter	3		1	audio in	no modifier	connects audio from source into pitch shifter	audio inputs/outputs, VCAs, audio effects, oscillators,			15.5%
130			Pitch Shifter transposes the pitch of incoming audio. Click the knob on the pitch shift parameter to cycle views of CV value, semitones, or cents. Connect an LFO to produce a vibrato effect, or connect whatever you'd like!			2	pitch shift	pitch shift factor	shifts the pitch of the audio from input sources. Click the knob to toggle between CV factor, semitones, or notes	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
131						3	audio out	no modifier	outputs pitch shifted audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
132
133
134
135			Audio Balance	7		1	audio in1	no modifier	connect audio source to be balanced	audio inputs/outputs, VCAs, audio effects, oscillators,	stereo	select if you'd like mono or stereo channels. New inputs and outputs will be added for the left and right sides.	1.7%
136			Audio Balance mixes an output from 2 inputs. You can run this module either mono or stereo.			2	audio in2	no modifier	connect second audio source to be balanced	audio inputs/outputs, VCAs, audio effects, oscillators,
137						3	mix	mix in CV	sets the mix. 0 is all audio in1, 50 is equal parts both inputs, 100 is all audio2	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
138						4	audio out1	no modifier	balanced audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
139
140						1	audio in1 L	no modifier	connect audio source to be balanced (left)	audio inputs/outputs, VCAs, audio effects, oscillators,
141						2	audio in1 R	no modifier	connect audio source to be balanced (right)	audio inputs/outputs, VCAs, audio effects, oscillators,
142						3	audio in2 L	no modifier	connect second audio source to be balanced (left)	audio inputs/outputs, VCAs, audio effects, oscillators,
143						4	audio in2 R	no modifier	connect second audio source to be balanced (right)	audio inputs/outputs, VCAs, audio effects, oscillators,
144						5	mix	mix in CV	sets the mix. 0 is all audio in1, 50 is equal parts both inputs, 100 is all audio2	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
145						6	audio outL	no modifier	balanced audio output (left)	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
146						7	audio outR	no modifier	balanced audio output (right)	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
147
148			Audio Mixer	34		1	inL 1	no modifier	connect audio source to be mixed (left)	audio inputs/outputs, VCAs, audio effects, oscillators,	num channels	select how many channels you wish to mix, 2 through 8. New inputs will be added for each channel	3% - 20%
149			Audio Mixer functions like a stripped down mixing console, where gain is your channel fader and you can place an optional pan control. Mix up to 8 channels, in mono or stereo.			2*	inR 1	no modifier	connect audio source to be mixed (right)	audio inputs/outputs, VCAs, audio effects, oscillators,	stereo	select if you'd like a mono or stereo mixer. New inputs and outputs will be added for the left and right sides.
150						3	inL 2	no modifier	connect second audio source to be mixed (left)	audio inputs/outputs, VCAs, audio effects, oscillators,	panning	toggles the presence of a pan control. Note that in mono mode, the pan control doesn't do anything
151						4*	inR 2	no modifier	connect second audio source to be mixed (right)	audio inputs/outputs, VCAs, audio effects, oscillators,
152						5	gain 1	gain in dB	adjust gain of input 1	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
153						6	gain 2	gain in dB	adjust gain of input 2	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
154					7*	pan 1	pan value L-R 0-100	adjust pan of input 1	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
155					8*	pan 2	pan value L-R 0-100	adjust pan of input 2	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
156					9	out L	no modifier	mixed audio output (left)	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
157					10*	out R	no modifier	mixed audio output (right)	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
158
159		Inverter	2		1	audio in	no modifier	audio input to be inverted				0.3%
160		The Inverter module takes incoming audio signal and inverts the sound wave 180 degrees out of phase. This module is inaudible unless you have a phase related problem you are trying to solve, in which case it can be very audible. Be sure to put a 1 Buffer Delay module into your "dry" side to line up the Inverter in time for proper phase cancellation.			2	audio out	no modifier	inverted audio output
161
162		Audio In Switch	18		1	audio in 1	no modifier	connects audio to switch	audio inputs/outputs, VCAs, audio effects, oscillators,	# of inputs	selects how many audio sources you'd like to switch between from 1-16. input jacks will be added for each source and the input select range from 0-1 will divide equally between them	0.8%
163		Audio In Switch takes a selected quantity of audio inputs and allows you to switch between them to a single output. You can use this to select between instruments at your input jacks, use it in conjunction with the Audio Out Switch to select between effects chains, or use it anywhere you'd like to be able to select between incoming audio sources using CV.			2*	audio in 2	no modifier	connects audio to switch	audio inputs/outputs, VCAs, audio effects, oscillators,
164					3	in select	select value 0-1	divides value from 0-1 between number of present switch inputs and selects audio source corresponding to value present	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
165					4	audio out	no modifier	outputs audio selected audio source	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
166
167		Audio Out Switch	18		1	audio in	no modifier	connects audio to switch	audio inputs/outputs, VCAs, audio effects, oscillators,	# of outputs	selects how many audio outputs you'd like to switch between from 1-16. output jacks will be added for each output and the select range from 0-1 will divide equally between them	0.7%
168		Audio Out Switch takes an audio input and routes it between a set quantity of audio outputs. You can use it at your output jacks to select between amplifiers or mixer channels, use it in conjunction with the Audio In Switch to select between effects chains, or use it anywhere you'd like to be able to select an outgoing audio path using CV.			2	out select	select value 0-1	divides value from 0-1 between number of present switch outputs and sends input audio to corresponding switch output	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
169					3	audio out 1	no modifier	sends audio from input source if chosen by switch parameter	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
170					4*	audio out 2	no modifier	sends audio from input source if chosen by switch parameter	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
171
172		All Pass Filter	3		1	audio in	no modifier	connects audio from source into all pass filter	audio inputs/outputs, VCAs, audio effects, oscillators,	# of poles	selects quantity of poles phase shifting will augment, 1 through 8	5%
173		All Pass Filter passes through all frequencies at equal gain, but changes phase relationship between them.			2	filter gain	gain in dB	determines gain of phase shift	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
174					3	audio out	no modifier	outputs filtered audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
175
176		Noise	1		1	audio out	no modifier	outputs white noise generated by module	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules			0.4%
177		Generates white noise from a single button. Use the strength of your connection as a level control. Helpful in connection with VCAs and ADSRs in creating drum sounds, etc.
178
179		Audio Multiply	3		1	audio in 1	no modifier	connects audio in to multiplier	audio inputs/outputs, VCAs, audio effects, oscillators,			0.4%
180		Takes one audio input and mathematically multiplies it with the other. This produces a ring mod/vocoder-like effect, or can be used as an alternative to a pitch-shifter to produce analog-like octave fuzz sounds when used with a fuzz or distortion. This module likes hot signals so be sure to bump the connection strengths. Remember that silence at any one of the inputs will result in silence at the output!			2	audio in 2	no modifier	connects audio in to multiplier	audio inputs/outputs, VCAs, audio effects, oscillators,
181					3	audio out	no modifier	multiplied audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
182
183		Bit Crusher	3		1	audio in	no modifier	connects audio in to bit crusher	audio inputs/outputs, VCAs, audio effects, oscillators,	fractions	allows you to adjust quantity of bits crushed by non-whole numbers	1%
184		Bit Crusher produces distortion by reducing audio bandwidth by a set number of bits. Distortion becomes audible around 20 bits reduced. This effect can get noisy so try it with a gate.			2	crushed bits	# bits crushed from 0-31	determines number of bits to reduce sonic resolution by	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
185					3	audio out	no modifier	outputs bit crushed audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
186
187		Aliaser	3		1	audio in	no modifier	connects audio in to aliaser	audio inputs/outputs, VCAs, audio effects, oscillators,			0.7%
188		Aliaser produces samples of incoming audio and compares them against each other to find imperfections. These imperfections become the outgoing audio. As sample count grows, so too does the thickness of the outgoing sound. This effect is a signal hog so be sure to boost your connection strengths incoming and outgoing. Try connecting a LFO or envelope follower to the alias amount.			2	alias amount	# of samples	depth of alias differential	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
189					3	audio out	no modifier	outputs aliased audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
190
191		Buffer Delay	2		1	audio in	no modifier	connects audio to be delayed	audio inputs/outputs, VCAs, audio effects, oscillators,	buffers	select how many buffers to delay by from 1-16	0.4%
192		Delays internal audio signal by number of buffers set by buffers option. This module is inaudible, but useful anywhere you need to line up internal parallel audio connections precisely.			2	audio out	no modifier	outputs delayed audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
193
194		Looper	9		1	audio in	no modifier	connects audio to be recorded by sampler	audio inputs/outputs, VCAs, audio effects, oscillators,	max rec time	choose how much audio you'd like to be able to sample from 1s to 32s	3%
195		The Looper module allows you to record, overdub, and play back incoming audio, forwards or backwards, at the speed of your choice (pitch shifted). Get loopy!			2	record	rec/stop or rec/overdub/play states	in "playback: once" mode, this button triggers the beginning and the end of recording a loop. in "playback: loop" mode, this button cycles between recording start/overdub/play similar to a conventional looper pedal. try with both latching and momentary footswitch modules, or press with your finger	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes, or press button with finger	length edit	toggles presence of start position and loop length parameters
196					3	restart playback	no modifier	triggers loop to play back from the beginning. use this to replay a recorded loop again and again in "playback: once" mode.	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes, or press button with finger	playback	select if your loop will playback continuously or just once when triggered. During continuous playback, triggering the sampler to begin recording again will halt playback
197					4*	stop/play	stop/play state	triggers a pause in the playback of a loop. send another trigger or press again to unpause at same location in the loop.	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes, or press button with finger	length	Fixed plays back your loop and plays it back for its original duration, regardless of playback speed, this can leave gaps or cut off your loop. Pre-speed plays back your loop for its full duration, regardless if you've sped it up or slowed it down.
198					5	speed/pitch	click knob to cycle views of speed in %, pitch in semitones, or pitch in cents.note that in all views, both speed and pitch are affected by changes.	determines speed and pitch profile of recording and loop playback, similar to recording to tape. the first loop is recorded at 100% by default. this parameter is also where the length option takes effect.	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,	hear while rec	"on" will allow original audio to pass through the looper as you're recording it
199					6*	start position	time in s	determines point in loop to start playback, when playback restarts, either when played as a result of natural looping or when triggered to do so by the restart playback button. note that this parameter presents itself as a value from 0s to the maximum length of time contained in that loop, so plan CV changes accordingly.	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,	play reverse	toggles presence of reverse playback parameter
200					7*	loop length	time in s	determines duration of loop to playback, which will either end playback early in "playback: once" mode, or restart the loop early in "playback: loop". mode. the value of this module is represented by a time in seconds which is equal to the total loop duration minus the time chosen in the "start position" parameter, so that the duration of loop playback can never be longer than the originally recorded loop.	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,	overdub	"yes" will add a loop reset trigger, and allow the looper to overdub additional layers of audio over the original loop
201					8*	reverse playback	forward or reverse state	determines if looper is recording, overdubbing, or playing back in a forward or reverse trajectory. press button to toggle state or control with latching or momentary footswitch	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes, or press button with finger	stop/play but	toggles the presence of a loop playback stop and start trigger input
202					9	audio out	no modifier	outputs audio playback	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
203
204		Granular	10		1	audio in	no modifier	connects audio to be granulated	audio inputs/outputs, VCAs, audio effects, oscillators,	num grains	determine how many of the same grain to string together from 1-8	8%
205		Granular breaks up incoming audio into tiny little grains and spits them back out in the quantity and shape of your choosing. Go from modest textures to completely unrecognizable oscillations. Granular can also be used as a granular delay by creating a feedback path from the output back to the input...			2*	audio inR	no modifier	connects audio to be granulated	audio inputs/outputs, VCAs, audio effects, oscillators,	channels	toggles between mono or stereo operation
206					3	grain size	sample length in ms	determines length of time to sample to create individual grains	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,	pos control	toggles behaviour of grain position parameter between CV control and tap tempo. connect an LFO or stomp switch
207					4	grain position	time elapsed in ms	determines amount of time to elapse before playing back a sampled grain. when using granular as a delay, this parameter is your delay time. you can set it to be tap tempo in the edit options	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,	size control	toggles behaviour of grain size parameter between CV control and tap tempo. connect an LFO or stomp switch
208					5	density	grain saturation in CV	works in conjunction with grain size to determine how many grains get created and played back	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
209					6	texture	grain shape in CV	shapes the fade in and fade out of each grain	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
210					7	speed/pitch	time factor in %	warps the playback speed and pitch of the grains	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
211					8	freeze	running of frozen state	toggle between continuously running grains or freeze a continuous playback of a certain grain	your finger, LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons,
212					9	audio out	no modifier	outputs granulated audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
213					10*	audio outR	no modifier	outputs granulated audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
214
215		Stereo Spread	5		1	audio in	no modifier	connects audio source to be enhanced	audio inputs/outputs, VCAs, audio effects, oscillators,	method	select stereo spread technique. Haas (mono in, stereo out) or Mid-Side (2 in, 2 out)	2%
216		Stereo Spread will take one or two channels and enhance their stereo field. This is generally used right before an audio output module but, as always, feel free to experiment!			2	delay time	time in ms	amount of delay applied to audio out 2	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
217					3	audio out 1	no modifier	outputs a clean copy of the audio input	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
218					4	audio out 2	no modifier	outputs a delayed copy of the audio input as determined by delay time	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
219
220					1	audio in 1	no modifier	connects audio source to be enhanced	audio inputs/outputs, VCAs, audio effects, oscillators,
221					2	audio in 2	no modifier	connects audio source to be enhanced	audio inputs/outputs, VCAs, audio effects, oscillators,
222					3	side gain	gain in dB	adds or subtracts gain from phase inverted audio 1	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
223					4	audio out 1	no modifier	outputs stereo enhanced audio "mid"	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
224					5	audio out 2	no modifier	outputs stereo enhanced audio "side"	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
225
226		Bit Modulator	3		1	audio in 1	no modifier	connect an audio source	audio inputs/outputs, VCAs, audio effects, oscillators,	type	select the flavour of your bit modulation between and, or, and xor. best not to think about it.	1.2%
227		Bit Modulator takes one audio input and compares it against the other, creating an unholy glitchy combination of both sounds at the output. Choose between 3 different logic flavours with the "type" option. When taking audio from an external source, it's recommended to put a gate before the input.			2	audio in 2	no modifier	connect another audio source	audio inputs/outputs, VCAs, audio effects, oscillators,
228					3	audio out	no modifier	outputs bit modulated combination of both inputs	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
229
230			Diffuser	6		1	audio in	no modifier	connect an audio source	audio inputs/outputs, VCAs, audio effects, oscillators,			2%
231			Diffuser spreads your signal across the galaxy like so many shimmering little stars. On it's own it sounds like a modulated slapback delay with no dry signal, but it can be used to construct many a tonal/atonal masterpiece.			2	gain	gain in dB	sets gain of delayed audio sent back to input as a feedback loop	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
232						3	size	delay size from 80-4999	size of delay gap in samples	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
233						4	mod width	width size from 3-499 samples	modulation width in samples	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
234						5	mod rate	rate from 0 - 5.90 seconds	modulation rate in seconds	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,
235						6	audio out	no modifier	outputs modulated audio	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
236
237
238		CONTROL MODULES:	These modules control CV, and are the basic building blocks of ZOIA functionality. Use CV input bias to determine a module's starting CV (or minimum), and use the connection strength to determine the maximum value.								(besides colour)
239		CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES CONTROL MODULES	LFO	3		1	frequency/trigger in	frequency in Hz (trigger in: no modifier)	sets the frequency at which the LFO oscillates (trigger in: calculates rate of LFO via incoming CV input)	other LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,	waveform	select waveform of oscillator: square, sine, triangle, sawtooth, ramp, or random (essentially a random number generator)	0.3%
240			The Low Frequency Oscillator is one of the workhorse modules of the ZOIA. This will generate CV in the waveform and range of your choosing. Connect it to a sequencer to cycle through steps, to an audio effect to swing it's parameters around, or to any outboard piece of gear through a MIDI or CV interface module. The connection strength you enter at the output will determine the maximum sweep of the LFO.			2*	swing amount	swing factor from -100 to 100	determines asymmetry of waveform. Apply negative CV for swing factors under 0	LFOs, sequencers, CV inputs, MIDI inputs, footswitches/pushbuttons, envelopes,	swing control	toggles presence of swing amount parameter, allows you to dial in asymmetry to the waveform
241						3*	phase input	wave phase in degrees	determines the phase of the generated LFO waveform relative to its native starting point. Use in conjunction with phase reset to sync multiple LFOs with various phase relationships.	LFOS, sequencers, CV inputs/outputs, MIDI outputs, audio effects, frequency inputs, pushbuttons/stompswitches	output	determines range of CV output from from 0 thru 1 or -1 thru 1
242						4*	phase reset	send CV signal to restart LFO generation	resets LFO back to its native starting point. Enable this parameter in multiple LFOs and connect a stomp, pushbutton, or other CV source to force them to sync up.	LFOS, sequencers, CV inputs/outputs, MIDI outputs, audio effects, frequency inputs, pushbuttons/stompswitches	input	select oscillator frequency source. CV input allows you to dial it in with the knob or control with another source, linear cv is similar but with a different input relationship, and trigger will interpret changes in CV as a tap tempo
243						5	output	no modifier	CV output of LFO	other LFOS, sequencers, CV inputs/outputs, MIDI outputs, audio effects, frequency inputs, tap tempos, VCAs, samplers, oscillators,	phase input	toggles presence of phase input parameter
244											phase reset	toggles presence of phase reset parameter
245
246			Sequencer	42		1	step 1	note in CV (click knob to show note), CV value of gate, or # of divisions of ratchet on selected track	step will affect the value that's being sent out the output		number of steps	select number of steps from 1-32. sequencer will consume a button for each step so make sure you have room	2%
247			The sequencer allows you to create a number of "steps" (1-32) that can be cycled through, and each step can be used to send a CV value out of that tracks output. The sequencer can have up to 8 tracks, each with their own unique output so it's possible to create complex melodies or rhythmic patterns. Try connecting an LFO to the sequencer's gate input to start the sequencer cycle. Then connect the sequencer output to an oscillator, a cv track to the oscillator's frequency input, and set each step to a different note. Now your ZOIA is playing itself! note: the first track on the sequencer can have each step controlled directly by other CV sources as well.			2*	step 2	note in CV (click knob to show note), CV value of gate, or # of divisions of ratchet on selected track	step will affect the value that's being sent out the output		num of tracks	select number of tracks from 1-8. sequencer will add a button for each track output
248						3*	step 3	note in CV (click knob to show note), CV value of gate, or # of divisions of ratchet on selected track	step will affect the value that's being sent out the output		restart jack	toggles presence of queue start module
249						4*	step 4	note in CV (click knob to show note), CV value of gate, or # of divisions of ratchet on selected track	step will affect the value that's being sent out the output		behaviour	select if you'd like your sequencer to play continuously or only when it's triggered to do so. Sequencer can be triggered by be queue start module (restart jack)
250						5	gate in	CV value	minimum CV input that triggers the sequencer to engage steps in sequencer. apply CV over minimum to engage next step	LFOs, footswitches/pushbuttons, MIDI inputs/outputs, CV inputs/outputs, other sequencers
251						6*	queue start	CV value	minimum CV input that triggers the sequencer to start its loop over. bring CV above queue start threshold during a step to start the sequencer back at step 1	LFOs, footswitches/pushbuttons, MIDI inputs/outputs, CV inputs/outputs, other sequencers		NOTE: colour selected for sequencer module as a whole will apply only to gate in (and queue start, if present) module
252						7	out type 1: CV	colour of track	CV type output will display steps as played notes or CV values. Click knob to change track type. Rotate knob to change track colour.	oscillators, VCAs, audio effect parameters, LFOs, MIDI inputs/outputs, CV inputs/outputs, other sequencers,
253						8*	out type 2: gate	colour of track	Gate type output will output an on/off status of the associated step. While output selected, steps can be assigned on/off status simply by pushing them. Click knob to change track type. Rotate knob to change track colour.	VCAs, ADSRs, audio effect parameters, LFOs, MIDI inputs/outputs, CV inputs/outputs, other sequencers, tap tempo inputs
254						9*	out type 3: ratchet	colour of track	Ratchet type output will divide the step's duration into a set number of divisions. Get your trap on! Click knob to change track type. Rotate knob to change track colour.	VCAs, gain stages, audio effect parameters, LFOs, MIDI inputs/outputs, CV inputs/outputs, tap tempo inputs
255
256			ADSR	10		1	cv input	CV value	an increase in CV value will trigger the ADSR envelope. A plateau of CV at the input will hold the the CV output at the set sustain level	MIDI notes in (gate in), keyboard (gate out), pushbuttons/footswitches, sequencers, LFOs, MIDI input/outputs, CV inputs/outputs	retrigger input	toggles presence of retrigger parameter	0.07%
257			The Attack Decay Sustain Release module is what gives a note generated from an oscillator a natural sounding envelope when played from a keyboard. Connect your oscillator or other audio source to the input of a VCA, and connect the CV output of the ADSR to the CV input on the VCA. Connect the keyboard or MIDI note gate out to the CV input of the ADSR and you've got yourself a simple synthesizer! Tweak the values to taste, or connect them to other CV inputs for experimentation. Use the optional retrigger input to restart the envelope around a note that is played before the ADSR is released.			2*	retrigger	CV value	a detected increase in CV value will retrigger the attack/decay of the envelope during a sustained note/CV input	MIDI notes in (trigger out), sequencers, LFOs, MIDI inputs/outputs, CV inputs/outputs	initial delay	toggles presence of delay parameter
258						3*	delay	time in ms	time between CV detection at the input and beginning of attack. Useful in adding blooming textures when using multiple voices/effects	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs	hold attack/decay	toggles presence of hold attack decay parameter
259						4	attack	time in ms	attack time of envelope. Go from short crisp starts to long slow fade-ins	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs	str	toggles presence of parameters associated with sustain section. By default this is on, but you can use only the attack and decay portion of the envelope. Notes and CV inputs will not sustain, but rise and fall back down to 0 at the CV output
260						5*	hold attack decay	time in ms	time between peak of attack and start of decay during sustained note/CV input. Will hold the envelope at its peak for set duration	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs	immediate release	if note/CV input is not held until attack reaches its peak, ON: immediate release will skip sustain section and release immediately. If hold sustain release parameter is present, this will also function OFF: envelope will travel to the top of the attack and carry the CV output through the envelope as set up by the user
261						6	decay	time in ms	decay time from peak of attack into sustain section. Go from abruptly stopped notes to gentle fades to the sustain level	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs
262						7	sustain	CV value	selects CV output level during sustained note/CV input. This can be thought of as the "volume" of your sustained notes	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs
263						8*	hold sustain release	time in ms	this variable will tack on additional time between sustain and release once the CV input stops receiving input. This can be useful in lining up fade outs when using multiple voices/effects	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs	hold sustain/release	toggles presence of hold sustain release parameter
264						9	release	time in ms	"fade out" time of envelope once sustain has been lifted. End notes abruptly or gently	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs	time scale	select between linear and exponential time scales at input
265						10	cv output	no modifier	CV output of envelope	VCAs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
266
267			Sample and Hold	3		1	CV input	CV value	CV input to get sampled/held	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs			0.1%
268			Sample and Hold will take the CV value at the input and hold it in place at the output until triggered to look again at the input and update the output. Connect a LFO to the trigger to convert smooth changes in CV into stepped changes in CV. The speed of the LFO will determine the perceived resolution of the CV output.			2	trigger	CV value	if track & hold is off: a rise in CV at trigger will cause value at input to be held at output, a decline in CV at trigger arms next trigger. if track & hold is on: a rise in CV at trigger will cause value at input to be held at output, a decline in CV at trigger causes output to follow input.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs
269						3	CV output	no modifier	CV output will hold CV value at input when CV applied to trigger input	VCAs, audio effects, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, oscillators
270
271			CV Invert	2		1	CV input	minimum CV value	CV input to get inverted	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs			0.02%
272			Inverts the incoming CV. For example, a CV input of 1 will output as -1. An input of 0.2 will output as -0.2.			2	CV output	no modifier	inverted CV output	VCAs, audio effects, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, oscillators
273
274			CV Rectify	2		1	CV input	CV bias	dial in a CV value to be generated	nothing, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs			0.07%
275			CV Rectify will interpret incoming CV from -1 to 1 and "flip" the negative values into positive values equidistant from 0.			2	CV output	no modifier	CV value	VCAs, audio effects, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, oscillators
276
277			Value	2		1	value	CV input	input a CV value to be shared. click knob to toggle between CV value and music note	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs	output	determines range of CV output from from 0 thru 1 or -1 thru 1	0.15%
278			Value allows you to connect to multiple modules and adjust their parameters simultaneously from one CV adjustment at the input.			2	CV output	no modifier	CV output	tap tempo inputs, sequencers, VCAs, ADSRs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, oscillators
279
280			Trigger	2		1	CV input	CV input	connect CV to be triggered from	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs,			0.10%
281			Creates a very short CV pulse (value of 1) on detection of upward CV input. This is useful in creating a tap tempos from regular or irregular CV waveforms, triggering sequencers or ADSRs at specific times, etc.			2	CV output	no modifier	outgoing CV trigger	tap tempo inputs, sequencers, VCAs, ADSRs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, oscillators
282
283			CV Flip Flop	2		1	CV input	CV input	connect CV to be analysed	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs,			0.2%
284			This is essentially a latching CV switch with an output of 0 or 1. When the input sees an upward CV change, the flip flop is triggered to change it's output state from 0 to 1 at the next upward change in CV, which must occur after a downward change in CV. So, the flip flop changes from 0 to 1 at every other upward change in CV.			2	CV output	no modifier	outputs either 0 or 1 CV, as determined by the flip flop	VCAs, ADSRs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, oscillators,
285
286			CV Delay	3		1	CV input	CV input	connect CV to delay. An increase in threshold here will add adjustment to outgoing CV	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs			1.5%
287			CV Delay will take incoming CV and delay it in time by a set amount.			2	delay time	time in ms	determines how long to delay CV for before sending to output	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs
288						3	CV output	no modifier	outputs delayed CV	VCAs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
289
290			CV Loop	8		1	CV input	CV input	connect CV in to get looped	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	max rec time	select maximum amount of time you'd like to be able to loop from 1s - 4s	0.1%
291			CV Loop functions similar to an audio looper except records patterns of CV signal instead of audio. You can record and play back snippets of LFOs, sequences, changes in CV or MIDI control etc.			2	record	press button, and/or CV up to record, CV down to play back	toggles between playback and record states. Push button to toggle between recording and playing loop. Alternatively, a rise in CV will trigger record, and a decrease will trigger playback	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	length edit	toggles presence of start position and stop position parameters
292						3	play	press button, and/or CV up to play back, CV down to stop	toggles between playback and stopped states. Push button to toggle between playing loop and stopping. Alternatively, a rise in CV will trigger playback, and a decrease will trigger stop	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
293						4	playback speed	playback speed in %	adjusts speed of CV Loop playback	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
294						5*	start position	position from start of loop in seconds	determines starting point of playback of recorded CV signal. By changing this you can have your loop shortened by chopping off the beginning.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
295						6*	stop position	position from end of loop in seconds	determines maximum length of recorded CV signal played back. By changing this you can shorten the loop by chopping off the end.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
296						7	restart loop	push button	push button or send a CV increase to restart loop playback from the beginning of recorded loop	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
297						8	cv output	no modifier	outputs CV playback	VCAs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
298
299			CV Filter	3		1	CV input	CV to be filtered	connect CV to filtered	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	control	allows for combined or separate control of upward and downward slew limited CV changes	0.1%
300			CV Filter dictates the length of time a CV output will take to respond to a change in CV input, determined by the time constant. The CV change occurs logarithmically for a nice smooth transition. Use this module in series with a MIDI/keyboard note to add portamento to your synth voice. You can also use this module to vary the shape of an LFO waveform or connect to a stomp switch to produce a long slow change in an audio effect.			2	time constant	time in ms	determines the time it takes the CV output to reach 63%, or decay to 37%, of the input	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
301						3	CV output	no modifier	filtered CV output	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
302						above: control linked, below: control separate
303					1	CV input	CV to be filtered	connect CV to filtered	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
304					2	rise constant	time in ms	determines the time it takes the CV output to reach 63% of the input	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
305					3	fall constant	time in ms	determines the time it takes the CV output to decay to 37% of the input	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
306					4	CV output	no modifier	filtered CV output	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
307
308		Slew Limiter	4		1	CV input	CV input	connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	control	allows for combined or separate control of upward and downward slew limited CV changes	0.2%
309		Slew Limiter is similar in behaviour to CV Filter except that the rate of change in changes of CV happen linearly instead of logarithmically. This is the classic portamento, and can be used anywhere CV changes occur to give them a different feel. Try using an unlinked Slew Limiter with a stomp switch module to give more expression pedal-like behaviour to your stomp switch.			2	slew rate	time in seconds	determines slew rate. This time value changes the speed at which the CV source responds to changes from its current value.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
310					3	CV output	no modifier	outputs slew limited CV	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
311					above: control linked, below: control separate
312					1	CV input	CV input	connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
313					2	rising lag	time in seconds	determines time change factor of upward changes in CV	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
314					3	falling lag	time in seconds	determines time change factor of downward changes in CV	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
315					4	CV output	CV output	outputs slew limited CV	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
316
317		Clock Divider	4		1	input	frequency in Hz, ms, or bpm (tap: no modifier)	sets the frequency at which the LFO oscillates (tap in: calculates rate of LFO via incoming CV input)	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	input	select clock frequency source. CV input allows you to dial it in with the knob or control with another source, tap will interpret changes in CV as a tap tempo	0.14%
318		Clock Divider module will detect tempo of incoming CV upward changes, divide it by a user determined ratio, and output CV triggers at the resulting tempo. This can be a handy way of getting a tap tempo from a slightly irregular waveform.			2	reset switch	toggles between "waiting" and "armed"	an increase in CV will cease output, a new tap tempo at the input will continue on until reset switch is triggered again	footswitches/pushbuttons, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals,
319					3	dividend	select the numerator of your tap fraction from 1-32	create your custom clock division fraction! if this number is higher than the one after it, your clock will be faster than your tap source.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
320					4	divisor	select the denominator of your tap fraction from 1-32	create your custom clock division fraction! if this number is higher than the one before it, your clock will be slower than your tap source.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
321					5	CV output	no modifier	tap tempo CV output	tap tempo inputs, VCAs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators
322
323		Comparator	3		1	CV positive input	CV input positive threshold	sets incoming CV positive threshold	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	output	determines range of CV output from from 0 thru 1 or -1 thru 1	0.04%
324		Comparator is a logic module that will switch CV on if positive input is equal to or greater than negative input, and off if positive input is less than negative input. Off can be defined as 0 or -1 by the output range. This can be useful if you'd like to have something happen, but only above a certain threshold.			2	CV negative input	CV input negative threshold	sets incoming CV negative threshold	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
325					3	CV output	no modifier	CV output. If CV at positive side is greater than CV at negative side, CV output will be 1. If CV at positive side is lower than CV at negative side, CV output will be 0 or -1, depending on output range	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators, ADSRs
326
327		In Switch	18		1	CV input 1	CV input	set or connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	num inputs	selects how many CV sources you'd like to switch between from 2-16. input parameters will be added for each source and the input select range from 0-1 will divide equally between them	0.2%
328		In Switch takes a selected quantity of CV inputs and allows you to switch between them to a single CV output. You can use this to select between LFOs to a CV source, external CV modules, or use in conjunction with the CV out switch to choose between ADSRs or other CV module chains			2*	CV input 2	CV input	set or connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
329					3	in select	select value 0-1	divides value from 0-1 between number of present switch inputs and selects CV source corresponding to value present	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
330					4	CV output	no modifier	outputs selected CV source	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators, ADSRs
331
332		Out Switch	18		1	CV input	CV input	set or connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	# of outputs	selects how many CV outputs you'd like to switch from between from 2-16. output parameters will be added for each source and the output select range from 0-1 will divide equally between them	0.2%
333		Out Switch takes a CV input and routes it between a set quantity of CV outputs. You can use it to select which sequencers, ADSRs, or tap tempos to send triggers to, etc.			2	out select	select value 0-1	divides value from 0-1 between number of present switch outputs and selects CV output corresponding to value present. If only one output is present, a select value of 0 will turn switch off, a select value above 0 will turn switch on.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
334					3	CV output 1	no modifier	if selected, outputs CV input	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators, ADSRs
335					4*	CV output 2	no modifier	if selected, outputs CV input	VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers, oscillators, ADSRs
336
337		Quantizer	2		1	CV input	CV input	set or connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	key/scale jacks	toggles presence of key and scale jacks	1%
338		Quantizer will interpret incoming CV and send its nearest equivalent note as a CV output.			2*	key	key of output	choose a key between A and G#. connect CV to control remotely	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
339					3*	scale	scale type	choose between chromatic, major, minor natural, minor harmonic, or minor melodic. connect CV to control remotely	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
340					4	CV output	no modifier	outputs CV corrected to match closest note	oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
341
342		Steps	3		1	CV input	CV input	connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons			0.7%
343		Steps will interpret incoming changes in upward CV as a tempo, split the wave cycle into a set number of steps, and then send the CV present at the input during each step to the output. You can use this to convert a nice smooth LFO and reduce its resolution into steps.			2	quant steps	number of steps to split wave cycle into	select number of steps from 2 to 63. A higher quantity of steps results in a smoother output wave.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
344					3	CV output	no modifier	outputs quantized CV	oscillators, VCAs, ADSRs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
345
346		Multiplier	9		1	CV input	CV input	set or connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	num inputs	Select how many sources you'd like to multiply together from 2-8. Each value above 2 will add a corresponding input jack.	0.2%
347		Multiply will take the CV signal present at each input and multiply them together at the output. In this way you can use one CV source to amplify, tame, or modulate another. Remember that a value of 0 at any input will result in 0 at the output. It's math!			2	CV input	CV input	set or connect CV source	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
348					3	CV output	no modifier	outputs multiplied CV	oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
349
350		Random	2		1*	trigger in	CV input	a change in CV here will generate a new random number and hold it at the output	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	output	determines range of CV output from from 0 to 1 or -1 to 1	0.1%
351		Random will generate numbers continuously or when triggered with the option trigger in. Connect an LFO to the trigger in to get regularly updated random numbers. Try it with a CV in switch to toggle some randomness into your life.			2	CV output	no modifier	generates constantly refreshing random numbers until stopped by optional trigger	oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,	new val on trig	toggles presence of trigger in parameter
352
353		Rhythm	5		1	rec start-stop	CV input	triggers starting and stopping of recording	footswitches/pushbuttons, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals,	done ctl	toggles presence of play done parameter	0.5%
354		Rhythm will take an incoming CV signal, interpret it as a series of triggers, record those triggers and play them back at the output.			2	rhythm in	CV input	connect CV to be recorded	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
355					3	play	CV input	triggers playback of rhythm	footswitches/pushbuttons, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals,
356					4*	play done	no modifier	Goes high when playback is done.
357					5	rhythm out	no modifier	CV rhythm output. interprets recorded loop as series of rhythmic pulses	tap tempo inputs, ADSRs, oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
358
359		Tap to CV	4		1	tap input	no modifier	connect tap source, MIDI clock, or LFO	footswitches/pushbuttons, LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs	range control	toggles presense of min time and max time buttons	0.12%
360		Outputs a CV value proportional to the tap tempo input.			2*	min time	time in s	set the tap tempo minimum time	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	time scale	determines how module interprets cv output from tap source, either linear or exponential
361					3*	max time	time in s	set the tap tempo maximum time	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
362					4	output	no modifier	outputs CV as a value proportional to the detected frequency of incoming taps	oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
363
364		CV Mixer	17		1	cv in 1	CV input	connect input CV for mixer/attenuverter channel 1	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	num channels:	select number of channels from 1 to 8. each additional channel adds both a CV input block and a mix/atten slider	0.30%
365		An 8 channel CV Mixer and Attenuverter			2*	cv in 2	CV input	connect input CV for mixer/attenuverter channel 2	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons	mode:	select output calculation type. "summing" will add all outputs together, clipping anything outside the +1/-1 CV range, while "average" will output the mean of the outputs, ensuring that the output doesn't get clipped
366					3	atten 1	CV input slider	set mix/atten level for channel 1: a CV value of 1.0 passes the full signal, 0.5 fully attenuates it, and 0.0 fully inverts it.	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
367					4*	atten 2	CV input slider	set mix/atten level for channel 2: a CV value of 1.0 passes the full signal, 0.5 fully attenuates it, and 0.0 fully inverts it	LFOs, sequencers, MIDI inputs/outputs, CV inputs/outputs, expression pedals, footswitches/pushbuttons
368					5	cv output	no modifier	outputs CV as a value proportional to the detected frequency of incoming taps	oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
369
370
371		ANALYSIS MODULES:	These modules take incoming audio and process them into CV according to a characteristic - volume, pitch, or transient response.
372		ANALYSIS MODULES ANALYSIS MODULES	Onset Detector	3		1	audio in	no modifier	connect audio input	inputs, audio effect outputs, VCAs,	sensitivity	toggles presence of sensitivity jack	17.0%
373			Onset Detector looks for incoming audio signal and generates a CV trigger at the peaks. Use a regular audio source to advance a sequencer, tap a tempo, etc			2*	sensitivity	value in CV	determines signal strength at which incoming audio triggers outgoing CV	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
374						3	CV output	no modifier	sends CV trigger when incoming audio surpasses threshold	tap tempo inputs, ADSRs, oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
375
376			Env Follower	2		1	audio in	no modifier	connect audio input	inputs, audio effect outputs, VCAs,	rise/fall time	toggles presence of rise and fall time parameters	5%
377			Envelope Follower will interpret an incoming audio signal as a CV signal based on its signal strength. Use this to trigger filter sweeps, audio effects parameters, LFO rates, etc. The connection strength can act as a sensitivity control.			2*	rise time	time in seconds	determines time taken for CV to reach peak once audio is detected at input	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	output scale	determines curve of dB to CV interpretation. log is recommended for use with outside audio source, log or linear both work well with internally generated audio
378						3*	fall time	time in seconds	determines time taken for CV to reach zero once audio is no longer detected at input	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
379						4	CV output	no modifier	sends incoming audio level as CV output	ADSRs, oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
380
381			Pitch Detector	2		1	audio in	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,			2.5%
382			Pitch Detector interprets the pitch of a connected audio signal as a CV note output, which can be sent to an oscillator or quantizer. You can affect the tracking by changing the connection strength between the audio source and the audio input, and transpose which note the oscillator will generate using the connection strength to the oscillator. Click knob to toggle display between frequency in Hz and note.			2	pitch out	no modifier	interprets pitch of incoming audio into a music note	oscillators, VCAs, LFOs, audio effects, MIDI inputs/outputs, CV inputs/outputs, LFOs, sequencers,
383
384
385		EFFECT MODULES:	These are ZOIA's audio effects. If you're a guitar/bass player, this is your playground. Experimentation is key!								(besides colour)
386		EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES EFFECT MODULES	Tone Control	10		1	aud in L	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select if you'd like to EQ one or two channels	5%
387			Tone Control is a 3 or 4 band tone control. Use this in conjunction with Distortion, Delay w/Mod, Reverb, or even a clean sound to fundamentally change its character.			2*	aud in R	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,	num mid bands	toggles presence of mid frequency band 2
388						3	low shelf	level in dB	adjust gain of all frequencies below X Hz	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
389						4	mid gain 1	level in dB	adjust gain of mid frequency 1	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
390						5	mid frequency 1	frequency in Hz	adjust frequency of mid frequency 1	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
391						6*	mid gain 2	level in dB	adjust gain of mid frequency 2	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
392						7*	mid frequency 2	frequency in Hz	adjust frequency of mid frequency 2	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
393						8	high shelf	level in dB	adjust gain of all frequencies above X Hz	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
394						9	output L	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
395						10*	output R	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
396
397			Delay w/Mod	9		1	audio in1	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select if you'd like mono, mono to stereo, or stereo channels	18%
398			Delay is one of the classic delay effects. Delay w/Mod differs from the Delay Line module found in Audio Out in that it runs a dry signal alongside the wet, has a feedback section, and a modulation section. Set the delay time either by tap or rotary/CV input. Optional stereo outputs round out the list of features. You can change the character of the delay effect with the "type" option, and/or by setting your mix to wet only, adding tone control and other effects to the output, and connecting your audio source directly to your output (bypassing the delay module) to act as the dry signal.			2*	audio in2	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	control	toggles behaviour of tempo input between tap and cv. tap will quantize CV pulses into a tempo, and CV lets you dial in a time similar to a typical delay pedal
399						3	delay time	time in seconds, bpm, or Hz	click knob to cycle views of delay time. this jack acts as the tap tempo in when selected in control. connect stomp switch, pushbutton, LFO etc	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, stompswitches/pushbuttons	type	select character of delay line: clean, tape, old tape, or bbd
400						4	feedback	level in dB	sets feedback in dB. Achieve self oscillation by going fully clockwise to 0db	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	tap ratio	when using tap tempo control mode, this option determines the ratio of repeats per tap cycle. select between 1:1, 2:3, 1:2, 1:3, 3:8, 1:4, 3:16, 1:8, 1:16, and 1:32
401						5	mod rate	rate in Hz	modulation rate in Hz	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
402						6	mod depth	level in CV	modulation depth as CV value.	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
403						7	mix	level in dB	wet to dry signal level. go from no audible delay at -inf dB to no audible dry signal at -0.00dB	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
404						8	audio out1	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
405						9*	audio out2	no modifier	connect secondary audio output if present	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
406
407			Ping Pong Delay	9		1	audio in1	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select if you'd like mono to stereo or stereo channels	18%
408			Ping Pong Delay is almost identical to the Delay w/ Mod except for one key aspect: the delay repeats ping pong from left to right across stereo outputs. When stereo inputs are selected, one input will ping while the other pongs, followed by a pong while the other pings into the opposite and then correct outputs.			2*	audio in2	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	control	toggles behaviour of tempo input between tap and cv. tap will quantize CV pulses into a tempo, and CV lets you dial in a time similar to a typical delay pedal
409						3	delay time	time in seconds, bpm, or Hz	click knob to cycle views of delay time. this jack acts as the tap tempo in when selected in control. connect stomp switch, pushbutton, LFO etc	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, stompswitches/pushbuttons	type	select character of delay line: clean, tape, old tape, or bbd
410						4	feedback	level in dB	sets feedback in dB. Achieve self oscillation by going fully clockwise to 0db	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	tap ratio	when using tap tempo control mode, this option determines the ratio of repeats per tap cycle
411						5	mod rate	rate in Hz	modulation rate in Hz	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
412						6	mod depth	level in CV	modulation depth as CV value.	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
413						7	mix	level in dB	wet to dry signal level. go from no audible delay at -inf dB to no audible dry signal at -0.00dB	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
414						8	audio out1	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
415						9	audio out2	no modifier	connect secondary audio output if present	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
416
417			OD & Distortion	4		1	audio in	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	model	choose between several flavours of distortion: plexi, germ, classic, or pushed	17.0%
418			The OD & Distortion module provides classic overdrive and distortion tones.			2	input gain	gain in dB	sets input gain of distortion. the louder the input gain, the higher the distortion factor	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, stompswitches/pushbuttons
419						3	output gain	gain in dB	sets master volume of module. as input gain rises, volume increases just like a typical distortion pedal. use output gain to compensate for this	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, stompswitches/pushbuttons
420						4	audio out	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
421
422			Fuzz	4		1	audio in	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	model	choose between several flavours of fuzz: efuzzy, burly, scoopy, or ugly	16.0%
423			The Fuzz module provides gnarly fuzz tones for your sonic enjoyment.			2	input gain	gain in dB	sets input gain of distortion. the louder the input gain, the higher the distortion factor	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, stompswitches/pushbuttons
424						3	output gain	gain in dB	sets master volume of module. as input gain rises, volume increases just like a typical distortion pedal. use output gain to compensate for this	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, stompswitches/pushbuttons
425						4	audio out	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
426
427			Compressor	8		1	audio in	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	attack ctrl	toggles presence of attack control. if not selected, attack is 5.0 ms	3%
428			Compression is a vastly useful audio tool that controls your signal level according to changes in input level. You can create natural reductions in gain to help things mix better, help tame or enhance transients in synth or instrument signals, etc. The optional stereo side will trigger the module's functions in unison on both channels, creating true stereo compression.			2*	audio inR	no modifier	connect second channel of audio input	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	release ctrl	toggles presence of release control. if not selected, release is 1.05 s
429						3	threshold	level in dB	input level at which compressor engages	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	ratio ctrl	toggles presence of ratio control. if not selected, ratio is 10.5:1
430						4*	attack	time in ms	time in which compressor reacts to incoming signal	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	channels	select if you'd like 1 channel of compression or 2. note that in 2 channel mode, both channels trigger the attack and release in parallel, giving the same compression curve to both sides
431						5*	release	time in s	time in which compressor returns to its initial level once signal falls below threshold	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	sidechain	select if you'd like the compressor to engage based on the signal dynamic at it's input or from another audio signal
432						6*	ratio	ratio in X:1	determines how aggressive the gain reduction is	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
433						7*	sidechain in	no modifier	connect an audio input from which to receive dynamic information	inputs, audio effect outputs, VCAs, oscillators,
434						8	audio out	no modifier	connects audio compressed from input	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
435						9*	audio outR	no modifier	connects audio compressed from input R	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
436
437			Gate	8		1	audio inL	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	attack ctrl	toggles presence of attack control. if not selected, attack is 50.5 ms	3%
438			A standard in studio audio tools, gate can also be used as the key ingredient in gated fuzz tones. Use it to filter out noise from an audio source, or to cut the end off of a reverb's decay, thus creating the classic gated reverb sound. Make sure to experiment with the sidechain input!			2*	audio inR	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	release ctrl	toggles presence of release control. if not selected, release is 1.03 s
439						3	threshold	level in dB	sets the level at which the audio gate will open and close	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	channels	select if you'd like mono, mono to stereo, or stereo channels
440						4	attack	time in seconds	once threshold is reached, sets the time it takes for audio gate to fully open. go from sharp and snappy to long and gentle	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	sidechain	select if you'd like the gate to open based on the signal dynamic at it's input or from another audio signal
441						5	release	time in seconds	once gate is fully open, sets time the time to close the gate once audio falls back below threshold	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
442						6*	sidechain in	no modifier	modulation rate in Hz	inputs, audio effect outputs, VCAs, oscillators,
443						7	audio outL	no modifier	modulation depth as CV value	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
444						8*	audio outR	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
445
446			Plate Reverb	8		1	input L	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,			22%
447			Bask in the ebb and flow of steel molecules as they vibrate with the warm vintage vibe of so many classic recordings.			2	input R	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,
448					3	decay time	time in s	length of time for reverberations to trail off	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
449					4	low eq	level in dB	cuts or boosts low frequencies from wet signal	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
450		5			high eq	level in dB	cuts or boosts high frequencies from wet signal	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
451		6			mix	value from 0 -100	sets mix level from 0 (fully dry) to 100 (fully wet)	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
452		7			output L	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
453		8			output R	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
454
455	Hall Reverb	8		1	input L	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,			22%
456	It's like you're there, looking up at the pulpit, with the warm sun casting in beams of coloured light from the stained glass windows. You're in reverb heaven, now.			2	input R	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,
457				3	decay time	time in s	length of time for reverberations to trail off	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
458				4	low eq	level in dB	cuts or boosts low frequencies from wet signal	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
459				5	high eq (lpf freq)	frequency in Hz	select cutoff point of high frequencies from wet signal	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
460				6	mix	value from 0 -100	sets mix level from 0 (fully dry) to 100 (fully wet)	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
461				7	output L	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
462				8	output R	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
463
464	Room Reverb	8		1	input L	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,			22%
465	Well, you're cooped up in your little room. But that's okay, because you've got some tasty room reverb to swim around in. Don't worry, somebody will come get you out someday.			2	input R	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,
466				3	decay time	time in s	length of time for reverberations to trail off	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
467				4	low eq	level in dB	cuts or boosts low frequencies from wet signal	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
468				5	high eq (lpf freq)	frequency in Hz	select cutoff point of high frequencies from wet signal	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
469				6	mix	value from 0 -100	sets mix level from 0 (fully dry) to 100 (fully wet)	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
470				7	output L	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
471				8	output R	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
472
473	Ghostverb	8		1	audio in1	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select if you'd like mono, mono to stereo, or stereo channels	45%
474	A spooky, ghostly reverb sound akin to the Ghost mode found in the Empress Reverb. Scare the crap out of all your friends!			2*	audio in2	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,
475				3	decay/feedback	value in CV	sets overall length of reverb tails	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
476				4	rate	rate in Hz	sets rate of ghostly modulation	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
477				5	resonance	value in CV	sets the resonance of ghostly modulation	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
478				6	mix	value in CV	sets mix level from 0 (fully dry) to 100 (fully wet)	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
479				7	audio out1	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
480				8*	audio out2	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
481
482	Reverb Lite	6		1	input L	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select if you'd like mono, mono to stereo, or stereo channels	10%
483	A straightforward CPU friendly reverb sound to add some smoosh to heavier workload patches.			2*	input R	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,
484				3	decay time	time in s	sets overall length of reverb tails	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
485				4	mix	value in CV	sets mix level from 0 (fully dry) to 100 (fully wet)	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
486				5	output L	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
487				6*	output R	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
488
489	Phaser	8		1	input left	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select phaser audio path between mono, mono into stereo, or stereo	15%
490	Set to stun, Phaser shifts the phase over a set quantity of stages and sweeps the frequency of these poles at a set rate. An optional stereo channel rounds out the list of features.			2*	input right	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,	control	select control method over phaser. rate is the typical phaser pedal behaviour with an internal LFO, tap tempo allows you to connect a CV input to tap a tempo into the internal LFO, and CV direct will allow you to connect an external CV source to augment the phase directly. very cool!
491				3	control in	rate in Hz, bpm, or ms (click knob to cycle views)	depending on how you set the control mode: dial in a rate, tap in a tempo, or connect a CV source	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	number of stages	select number of phasing stages. the fewer the stages, the more subtle and classic the phasing. more stages will result in a lusher effect
492				4	resonance	level in dB	phased signal can be fed back into input for resonance. dial this in from none all the way to self oscillation	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
493				5	width	level in CV	determines the width of the phased effect	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
494				6	mix	percentage in CV	mix controls the level of uneffected signal to phased signal. go from fully dry to fully wet	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
495				7	output left	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
496				8*	output right	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
497
498	Chorus	8		1	input left	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select chorus audio path between mono, mono into stereo, or stereo	13%
499	The classic chorus effect. A nice sounding, fairly standard chorus. Get wackier sounds from it by using CV direct, or build your own from LFOs and delay lines!			2*	input right	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,	control	select control method over chorus. rate is the typical chorus pedal behaviour with an internal LFO, tap tempo allows you to connect a CV input to tap a tempo into the internal LFO, and CV direct will allow you to connect an external CV source to augment the modulation directly. tubular!
500				3	control in	rate in Hz, bpm, or ms (click knob to cycle views)	depending on how you set the control mode: dial in a rate, tap in a tempo, or connect a CV source	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	type	work in progress
501				4	width	level in CV	sets width of modulation	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
502				5	tone tilt eq	eq tilt in dB	a subtle tone control on the wet signal. from flat, negative values dial out high end and add warmth, while positive values cut bass and add highs	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
503				6	mix	percentage in CV	mix controls the level of uneffected signal to modulated signal. go from fully dry to fully wet	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
504				7	output left	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
505				8*	output right	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
506
507	Vibrato	6		1	input left	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select vibrato audio path between mono, mono into stereo, or stereo	5%
508	Vibrato is your typical pitch bending, wet only sound you'd find on such classic units as the Empress Nebulus, just to name one. Get bendy!			2*	input right	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,	control	select control method over vibrato. rate is the typical vibrato pedal behaviour with an internal LFO, tap tempo allows you to connect a CV input to tap a tempo into the internal LFO, and CV direct will allow you to connect an external CV source to augment the modulation directly. tubular!
509				3	control in	rate in Hz, bpm, or ms (click knob to cycle views)	depending on how you set the control mode: dial in a rate, tap in a tempo, or connect a CV source	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	waveform	select waveform of vibrato pitch: sine, triangle, swung sine, or swung
510				4	width	level in CV	sets width of vibrato effect	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
511				5	output left	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
512				6*	output right	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
513
514	Flanger	9		1	input left	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select vibrato audio path between mono, mono into stereo, or stereo	11%
515	ZOIA's Flanger module is borrowed right from the Empress Nebulus. This quite versatile flanger encompasses lots of comb filtering territory, but don't hesitate to build flange tones yourself using LFOs and delay lines!			2*	input right	no modifier	connect second audio input (optional)	inputs, audio effect outputs, VCAs, oscillators,	control	select control method over flanger. rate is the typical flanger pedal behaviour with an internal LFO, tap tempo allows you to connect a CV input to tap a tempo into the internal LFO, and CV direct will allow you to connect an external CV source to augment the modulation directly. far out!
516				3	control in	rate in Hz, bpm, or ms (click knob to cycle views)	depending on how you set the control mode: dial in a rate, tap in a tempo, or connect a CV source	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	type	select between three different flavours of flanger: 1960s, 1970s, and thru-0
517				4	regeneration	level in dB	sends some modulated effect back to the beginning of the flanger for added mojo. dial in a subtle shimmer all the way up to some mega self oscillating weirdness	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
518				5	width	level in CV	sets width of flanger effect	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
519				6	tone tilt eq	level in dB	a subtle tone control on the wet signal. from flat, negative values dial out high end and add warmth, while positive values cut bass and add highs	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
520				7	mix	percentage in CV	mix controls the level of uneffected signal to modulated signal. go from fully dry to fully wet	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
521				8	output left	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
522				9*	output right	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
523
524	Tremolo	6		1	audio inL	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select vibrato audio path between mono, mono into stereo, or stereo	2%
525	Up and down, side to side. Tremolo helps your smile get wide. Set speed and depth and tap in a tempo if you like. If you'd like a tremolo effect with more control, try creating one using the VCA or Audio Panner along with LFOs and various other CV tools to get radical!			2*	audio inR	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,	control	select control method over tremolo. rate is the typical tremolo pedal behaviour with an internal LFO, tap tempo allows you to connect a CV input to tap a tempo into the internal LFO, and CV direct will allow you to connect an external CV source to augment the tremolo directly. groovy!
526				3	control in	rate in Hz, bpm, or ms (click knob to cycle views)	depending on how you set the control mode: dial in a rate, tap in a tempo, or connect a CV source	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	waveform	select flavour of tremolo effect: fender'ish, vox'ish, triangle, sine, or square
527				4	depth	level in CV	depth of tremolo effect. go from subtle dips to complete silence during dips	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
528				5	audio outL	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
529				6*	audio outR	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
530
531	Env Filter	8		1	audio in1	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select filter audio path between mono, mono into stereo, or stereo	7%
532	Get your quack on! This fully featured envelope filter has everything you need to tune in that perfect envelope filter and get funky. Great on guitar, bass, or anything else!			2*	audio in2	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,	filter type	select filter type: high pass filter, low pass filter, or band pass filter
533				3	sensitivity	level in CV	determines the sensitivity of the envelope to incoming audio levels	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	direction	select direction of filter sweep: up or down
534				4	min freq	frequency in Hz	determines the downward cutoff frequency of the envelope filter	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
535				5	max freq	frequency in Hz	determines the upward cutoff frequency of the filter	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
536				6	filter Q	level in CV	determines the width of the filter notch	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons
537				7	audio out1	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
538				8*	audio out2	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
539
540	Ring Modulator	5		1	audio in	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	waveform	select waveform of generated carrier wave: sine, square, triangle, or sawtooth	14%
541	A gnarly ring modulation effect. A robot's nightmare, a tweaker's delight!			2	frequency or ext in	frequency in Hz, or no modifier	this jack will either generate a carrier frequency to modulate the input signal against, or bring in a second audio source to act as the carrier wave. when "ext audio in" is off, CV inputs from -1 to 0 cover the frequency range 0.03-27.5 Hz, CV inputs from 0 to 1 cover the frequency range 27.5-23999Hz	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons OR inputs, audio effect outputs, VCAs, oscillators,	ext audio in	toggles parameter #2 to act as a tone generator or as a sidechain input
542				3*	duty cycle	value in %	adjusts the pulse width of the ring modulation	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	duty cycle	toggles presence of duty cycle parameter
543				4	mix	percentage in CV	mix controls the level of uneffected signal to modulated signal. go from fully dry to fully wet	MIDI inputs/outputs, LFOs, sequencers, CV inputs/outputs, expression pedals, footswitches/pushbuttons	upsampling	allows waveform to be generated at 2X sampling rate for better quality (higher CPU)
544				5	audio out	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
545
546	Cabinet Sim	4		1	audio in1	no modifier	connect audio input	inputs, audio effect outputs, VCAs, oscillators,	channels	select audio path between mono, mono into stereo, or stereo	10%
547	A versatile guitar cabinet simulator			2*	audio in2	no modifier	connect second audio input	inputs, audio effect outputs, VCAs, oscillators,	type	select cabinet type: 4x12 full, 2x12 dark, 2x12 modern, 1x12, 1x8 lofi, 1x12 vintage, or 4x12 hifi
548				3	audio out1	no modifier	connect audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, audio in CV out modules
549				4*	audio out2	no modifier	connect second audio output	audio inputs/outputs, VCAs, audio effects, FM inputs, analysis modules
550
551
552
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